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The hand motifs used can have complex geometric designs.

Overall, this style of art istremendously varied with bichrome and polychrome depictions of decorative objects, human and animal figures, and plants, as well as abstract signs including finger-dots, lines, and non-figurative motifs.

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Finally, we note in passing that, despite Walsh's international reputation as one of the leading authorities on aboriginal art, Wikipedia has been unable to compile a biography of him. In simple terms, there are two major traditions of rock art found in the Kimberley region of Western Australia: Gwion paintings (previously known as "Bradshaws") and Wanjina paintings.

Gwion rock art is older and much more extensive, and appears to have evolved in a series of differing styles.

However, as in the case of Burrup Peninsula rock art to the west and Ubirr rock art to the east, most of Kimberley's ancient art remains uncatalogued and undated, and the little scientific dating that has occurred has failed to pinpoint any artwork that predates the Last Glacial Maximum, around 18,000 BCE.

As it is, the oldest Stone Age art in the Kimberley are cupules, dated to 17,000 BCE, and a Bradshaw tassel painting dated to at least 15,500 BCE.

(Note: For the finest examples of Aboriginal finger fluting in Australia, see: Koonalda Cave Art c.18,000 BCE).

Better known by the term "Bradshaws", Gwion rock art (also called "Giro Giro", "Djaeneka djaeneka" or "Kiro kiro" or "Kujon") is named after one of the Aboriginal beliefs in the Kimberley on where aborigines came from.

As a result, we have tried to avoid mention of Dr Walsh's lexicon of terms in this article, preferring to use the term "Gwion", instead.

We have however prepared a separate article on "Bradshaw Rock Paintings", using Dr Walsh's classification and terminology.

(See also: Prehistoric Colour Palette.) However, Gwion painting embraces a number of distinct but overlapping styles - including Tassel Gwion figures, Sash Gwion figures, and Elegant Action figures, to name but three - which span the European phase of Magdalenian art.

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