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Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.

While studying at Edinburgh College of Art she found passion in high drama, Schiaparelli hats, insect art and taxidermy receiving her degree in Costume Design and specialising in Millinery.

At the tip of every photograph lies the materiality, the labor, the dead bird, the masculine body, the boyish body; And similarly there are the two brothers, the twins, one brother holding the other, a hug or a first grasping in front of the world; And when he spoke, I suddenly thought of a child, who must recreate a scene over and over again; The methods improves but the tongue is repeating the old saying “this is me and my brother”, pointing the truth, does things with words; or in Biton’s words “Dogan won life itself. The meticulous execution (each extra-fine brushstroke adding an important detail), the resulting life-like renditions and the consistent format (monochromatic black on white; identical one-size ceramic plates) adhere to the ethos of scientific study.

The Magpie is the only non-mammal species to have the ability of self recognition in a mirror test.

And they are are also the ultimate recycler known for thieving and collecting found objects for their nests.

Ugly Lovely is a description to define something that might repel at first but then become beautiful.

Her headpieces from this collection are an ode to unconventional beauty.

That sentence he said, reminded me of Jacob Biton’s poetry who wrote about himself and his brother Dogan facing their grandma’s death, the big mother.

In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.Gisela Torres Photos: Gisela Torres Hats: Sahar Freemantle Makeup Artist: Sara Sorrenti Hair: Jack Merrick Thirlway Model: Danielle Ifra Yuval Atzili was my student. I have known him as a teacher knows a beloved student.There is a limit to what you can know about your students. I have taught him 2 years in Bezalel Academy of Arts and Design. I have met again a few months ago, we sat in a coffee shop, he doesn’t like coffee shops. Even people who eat everything don’t freeze that kind of birds.An almost Christian image, I thought, almost poetic, Jesus in the hands of Mariah.Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.However, it soon becomes clear that all is not quite as it seems.

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