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Bowden is the author of Black Hawk Down: A Story of Modern War Narrative tips for nonfiction writers: more from the 2010 Mayborn Conference (Tom Huang, 7-28-10) Colin Harrison and Sam Gwynne on the editor-writer partnership, going deep and the difference between a subject and a story Boston University (BUniverse) talks on narrative nonfiction, many of them from the 2012 Narrative Arc conference (videotapes): Gay Talese, on hanging around and becoming close to strangers, so they are less strange (among things that worked for him: good manners and appearance, so they become comfortable with you==the son of a tailor, he dressed well), on being in a business that tries to tell the truth, on learning his narrative skills from reading fiction, on shirtboard notations (minute 23, the things he makes notes on), on verifying that what they say is what they mean, on leaving the Times to write for Esquire ("I was a master of the minor character"). "These articles really do change the world"--for example, Alan Schwarz's pieces on the dangers of concussions from football, published while the NFL was till in denial, before they were forced to do something about the consequences."That's what's wonderful about narrative nonficton: you don't have to lie, but you can write deeply about people," but "you have to put in your time." On Frank Sinatra has a cold" (about minute 34 on): Where is the story? On "B matter," the necessary information that can't come too soon or too late in a story. 300 Little Words: How to Write Narrative Short and Good (Roy Peter Clark's talk, which starts at about minute 9 or 10) What It Takes: Getting Stories Told in the New World of Narrative Nonfiction (panelists Ken Auletta, Jill Abramson, Hampton Sides, Amanda Urban, and John Stauffer discuss what it takes to be a long-form narrative nonfiction writer in todays fast-evolving technological world) Clearing Space for the Agenda: Setting Narrative in Digital Journalism (Dean Sparkman) Jill Abramson: The Power of Narrative The Moth & Friends: The Rise of Stories Out Loud (Jay Allison, independent broadcast journalist, curator and producer of The Moth Radio Hour) Beyond the "Like" Button: Digitally Addictive Storytelling and the Brain (Amy OLeary, a news editor and multimedia producer for The New York Times) Reaching New Audiences with Digital Devices (Jill Abramson, Managing Editor for the New York Times) The Power of Narrative: The Rebirth of Storytelling (about storytelling in all kinds of media, on all kinds of platforms--held at Boston University).In some cases you read and listen, as if attending the conferences. 8, 2014 --The Berkeley Narrative Journalism Conference, cosponsored by ASJA Educational Foundation), this new conference brings top editors and writers to Berkeley for a daylong exploration of nonfiction storytelling.

Plus a bit about Barney Frank asking why the press has become so negative and adversarial. Avoiding story killers, finding genius moves with NYTs OLeary at #BUNarrative (Susan Johnston, The News Hook, E-byline, 4-9-13) More reports and stories from various conferences Mary Karr on truth: the least of my problems as a memoirist, as a writer, is getting my facts right (Mary Karr at the Mayborn Literary Nonfiction Conference, 2010, as posted on Nieman Storyboard) Narrative tips for nonfiction writers: more from the 2010 Mayborn Conference (Tom Huang, Nieman Storyboard, 7-28-10) From research to story.

On Nieman Storyboard, Andrea Pitzer presents excerpts from presentations at the BIO (biographers) conference 2011 by Anne Conover Heller (author of Ayn Rand and the World She Made), John Aloysius Farrell (author of Clarence Darrow: Attorney for the Damned), and Jane Leavy (author of biographies of Sandy Koufax and Mickey Mantle).

Forms of creative nonfiction include literary journalism, the memoir, the lyric essay, the prose poem, and the nonfiction short.

The Nieman Narrative Digest (see links below) provides links to many excellent newspaper series that take advantage of the form.

The final quote sent me (clearly square) to Wikipedia.

The future of long-form narrative by Gerry Marzorati, the NY Times Magazine editor's keynote address at the 2009 CASE Editors' Forum Gary Smith on intimacy and connecting with subjects (Any uneasiness you bring is going to cost you dearly," says the writer from Sports Illustrated).

Among magazines, you can find excellent examples of narrative nonfiction in The Atlantic Monthly, The New Yorker, Points of Entry, and River Teeth.

After a series of links here you will find a list of classic book-length narrative nonfiction, followed by links to a few exceptionally good short narratives or newspaper series readable online.

Nieman Narrative Conference Three threats to narrative journalism that New York Times editor Bill Killer is not buying (Beth Macy, 4-27-10, reporting on Keller's talk at Nieman Narrative conference) Tips from Nieman Narrative: What Works for Readers, Editors & Sources (Bill Kirtz, Poynter) Nieman Narrations: Tips and Tales from Top Storytellers (Bill Kirtz, Poynter, 3-17-08) Tips and Tales from Some of the Best in the Business (Bll Kirtz on Nieman 2006, 11-20-06, updated 3-3-11) Mayborn Literary Nonfiction Conference(Grapevine, Texas, July) As experienced by Sam Eifling and described in I Heard It While in Grapevine (Columbia Journalism Review, 7-28-09) Mark Bowden on the value of beginners mind. Again, the importance of outlines (Talese's is shown) and the building of tension in the story, collecting fly-on-the-wall details ("Harlan Ellison's boots") by tracking down Harlan Ellison the next day and questioning him about the fight scene.

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